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It is the attempt to define the specificity of cinema that led Godard to grapple, throughout his career as a critic, with the paradoxes of cinematic realism. As this question will remain central to Godard’s work as a filmmaker, it is essential to gain some sense of the issues involved.
In "Godard On Godard," the legendary filmmaker Jean-Luc Godard shares a compelling collection of essays and interviews that trace his evolution from film critic to cinematic innovator.
This filmography is necessarily selective, given the large number of Godard’s films (103, 42 of which are feature-length films), so it was decided to select twenty films that represent every one of Godard’s creative periods.
And that is why a careful reading of Godard's essays will not only give one the liveliest history of the cinema; it is also the best introduction to the films of Godard, and through them, to the cinema of today.
Linking works by Godard to key social and cultural developments, The Films of Jean-Luc Godard explains their importance in modernist and postmodernist art of the past half century.
Earlier versions of some chapters or parts of chapters, which I have fully updated and in most cases substantially developed and expanded, were originally published in the following: “From Thirdworldism to Empire: Jean-Luc Godard and the Palestine Question,” Third Text, Vol. 23, no 5, 2009, pp. 659–656; “Between Objective Engagement and...